Tuesday, March 31, 2015

Permanently

Because I won't have my laptop this week, I've lined up some tidbits in the interim...

El Camino auto-post number one: Today I'm probably in Sarria.

This is a poem I recently discovered by the writer Kenneth Koch. I'm a sucker for sappy love poems.

"Permanently"
One day the Nouns were clustered in the street.
An Adjective walked by, with her dark beauty.
The Nouns were struck, moved, changed.
The next day a Verb drove up, and created the Sentence.

Each Sentence says one thing—for example, “Although it was a dark rainy day when
        the Adjective walked by, I shall remember the pure and sweet expression on her face
        until the day I perish from the green, effective earth."
Or, “Will you please close the window, Andrew?”
Or, for example, “Thank you, the pink pot of flowers on the window sill has changed color
        recently to a light yellow, due to the heat from the boiler factory which exists nearby.”

In the springtime the Sentences and the Nouns lay silently on the grass.
A lonely Conjunction here and there would call, “And! But!”
But the Adjective did not emerge.

As the Adjective is lost in the sentence,
So I am lost in your eyes, ears, nose, and throat—
You have enchanted me with a single kiss
Which can never be undone
Until the destruction of language.
-Written in 1960 by Kenneth Koch, from the collection Permanently (1961)

Sunday, March 29, 2015

El Camino (A Prelude)

This morning, I went to the Iglesia de Santiago to get my credential for El Camino. The credential is this little book which says that I'm completing the Camino, and along the way I get little stamps at inns or churches or cafes in order to track my journey. When I arrive in Santiago, the powers that be will use the credential as proof that I've completed the journey, and I'll get a certificate of completion! Neat, no? I'm going to put it right next to my ASVAB scorecard and my "Most Unusual Halloween Costume" award from fifth grade.

When I went to the church this morning, the priest--who was very nice--told me that the building was constructed in the thirteenth century, and that it was the fourth-oldest standing church in Córdoba. Considering that the Mezquita was built in the eighth century, that's pretty impressive. Afterwards, I wrote my name in this huge book, one which contains the names and dates of every Santiago-bound pilgrim who has passed through Córdoba since 1992. When I expressed interest in this ledger, the priest showed me a giant cabinet of ledgers dating from the fifteenth century. He opened the oldest one and let me look at it for a little while. Reading the names of all those people, people who have been doing this for hundreds of years, made me feel really insignificant. I'm about to do this semi-crazy thing that millions of people have done before me, everyone for a different reason, and that feels so darn cool.

Today was also the first day of Semana Santa, which was unlike anything I've ever experienced. I took some photos, and though most of them are of giant crowds around religious figures, I'll sort through a few to post when I'm not so sleepy.

But the quality of my writing on this blog has been on a steep decline for the last few days due to lack of dedication and lack of concentration and general fatigue, so I will wrap things up.

Saturday, March 28, 2015

Postmemory

There is so much going on that I can't begin to articulate it all. Semana Santa begins today (Sunday), and I've already noticed a difference in Córdoba's atmosphere. There are a lot more people in the streets, including lots of musicians and drunk teenagers. There's a sense of calm anticipation in the breeze here, and everyone is relaxed and happy.

I also took a wild hike today, and will describe it more at a later date when I have time to sort through the photos.

Now to the point of this post: the idea of "postmemory."

For some context, I am working on a senior thesis proposal right now. My idea is to write a collection of poetry about my father's experiences and how those have indirectly affected the person I've become and the life I've lived. I've grown up with an unusual, wonderful, intricate, resilient family, and I feel incredibly fortunate for that. With time, I've thought a lot about how every person is influenced by an inherited history, one which she never directly experienced. A lot of people grow up listening to their elders' stories, and--especially when one is young and impressionable--those stories can hugely impact a person's development and growth. In consideration of this, my advisor recommended that I look into "postmemory" in creating my outline.

The basic idea, as described by Marianne Hirsch, is below:
“Postmemory” describes the relationship that the “generation after” bears to the personal, collective, and cultural trauma of those who came before-to experiences they “remember” only by means of the stories, images, and behaviors among which they grew up. But these experiences were transmitted to them so deeply and affectively as to seem to constitute memories in their own right. Postmemory´s connection to the past is thus actually mediated not by recall but by imaginative investment, projection, and creation. To grow up with overwhelming inherited memories, to be dominated by narratives that preceded one´s birth or one´s consciousness, is to risk having one´s own life stories displaced, even evacuated, by our ancestors. It is to be shaped, however indirectly, by traumatic fragments of events that still defy narrative reconstruction and exceed comprehension. These events happened in the past, but their effects continue into the present.
This idea was initially born out of discussions with the children of Holocaust survivors, but (at least initially) it seems fairly widely applicable. I'm sure that it's much more pronounced on a cultural level, but I think that, in some sense, everyone carries "postmemories" that belonged to their ancestors. These "postmemories" can be expressed through all sorts of media, from oral folklore to photography to musical composition. To me, that is a hugely hopeful and adaptive idea.

I could write a much more involved and comprehensive post on this, but alas, it's time to sit down and revise a few things before I leave for Sarria on Tuesday. I will leave this idea right here, and if it sparks any major epiphanies or recollections for you, I'd love to hear about it. No matter, thank you for reading this!

Friday, March 27, 2015

No Moleste

Tig Notaro is a goddess among comedy mortals.

In 2012, a bunch of really bad stuff happened to her: she got pneumonia, and then this super-serious intestinal infection, and then her mom died unexpectedly, and then a big break-up with a long-term partner. Then she found out that she had cancer in both breasts, cancer which soon spread to her lymph nodes.

That's a lot.

But, in an unbelievable spirit of resilience, she decided to do a comedy set about it all. In August of 2012, she performed at Club Largo in Los Angeles, turning her miseries into a remarkably funny stand-up performance. The audio recording was eventually released as the album Live (like imperative verb that means "be alive!" and not like the adjective which means "happening right now"). It's great and I completely recommend it to anyone who hasn't yet heard it but likes to laugh or exist. Here is the set on YouTube.


But if you'd rather not listen to life-affirming jokes about cancer, here is another video of her from the Aspen Rooftop Comedy Festival in 2008. She talks about the "Do Not Disturb" signs in Mexican hotels.

Wednesday, March 25, 2015

Temptation

This was a 7" single released by New Order in 1982. Although much longer and complicated versions of this song exist, this one is the shortest and poppiest and perhaps most widely-appealing. Regardless, I recommend the 12" version if you like to dance and are into drums and synthesizers.


- "Temptation," 7-inch single by New Order, 1982

Tuesday, March 24, 2015

Steps

Frank O'Hara had a beautiful nose.

"Like a boxer."

In all seriousness, he was a poet--among other things--with a seemingly upbeat life. After serving in the navy during World War II, he began college at Harvard, where he was roommates with the delightfully idiosyncratic illustrator and writer Edward Gorey. Later, he got his master's degree, moved to New York, and eventually became a curator at the Museum of Modern Art. In addition, he was an accomplished pianist. When he had the time to do all of this, I have no idea. His early death, though unfortunate, was appropriately absurd: he was struck and killed by a Jeep on a beach.

But let's get to the good stuff. This is a poem I only recently discovered. It's wonderfully exuberant and observant.
"Steps"
How funny you are today New York
like Ginger Rogers in Swingtime
and St. Bridget’s steeple leaning a little to the left

here I have just jumped out of a bed full of V-days
(I got tired of D-days) and blue you there still
accepts me foolish and free
all I want is a room up there
and you in it
and even the traffic halt so thick is a way
for people to rub up against each other
and when their surgical appliances lock
they stay together
for the rest of the day (what a day)
I go by to check a slide and I say
that painting’s not so blue

where’s Lana Turner
she’s out eating
and Garbo’s backstage at the Met
everyone’s taking their coat off
so they can show a rib-cage to the rib-watchers
and the park’s full of dancers with their tights and shoes
in little bags
who are often mistaken for worker-outers at the West Side Y
why not
the Pittsburgh Pirates shout because they won
and in a sense we’re all winning
we’re alive

the apartment was vacated by a gay couple
who moved to the country for fun
they moved a day too soon
even the stabbings are helping the population explosion
though in the wrong country
and all those liars have left the UN
the Seagram Building’s no longer rivalled in interest
not that we need liquor (we just like it)

and the little box is out on the sidewalk
next to the delicatessen
so the old man can sit on it and drink beer
and get knocked off it by his wife later in the day
while the sun is still shining

oh god it’s wonderful
to get out of bed
and drink too much coffee
and smoke too many cigarettes
and love you so much
-Frank O'Hara, from Lunch Poems (1964), written in 1961

Monday, March 23, 2015

Analog Magic

Considering how easy, instant, and inexpensive digital means are in modern America, it's progressively rarer to find people using analog media. Not that analog is necessarily inherently better--being able to take digital photographs means that it's much easier to instantly gauge one's perspective and adjust accordingly. It's much cheaper, and allows for nearly-infinite exposures. On the other hand, there is a certain craft to manipulating an analog camera so that you get the shot you want in one or two exposures. And I love the mystery of film, how it's impossible to know what your camera has seen until you develop your roll. It's like waiting for Halloween (or whichever holiday you so prefer).

To step back a minute, I should clarify that I really don't know a lot about photography, especially analog photography. I've never taken a class; I've developed film a grand total of once in my life. I use my digital camera far more often than any of my others. But. I have the basic sense to know when something is impressive, and the work of David Benjamin Sherry is just that.

I think I first saw his work in some art magazine in a waiting room, but I liked it enough to remember him and look him up later. His work is mostly film, and is very invested in unusual color composition. Considering that all of the photographs below were created using only analog techniques and without digital alteration, they're pretty awe-inspiring:


If you liked this, or you want to learn more about these photos, or you simply enjoy clicking on hyperlinks, here is Sherry's website for further perusal.

Sunday, March 22, 2015

El Camino de Santiago

Alright, so first things first: thanks to the advice of my lovely friend Shea, I've changed the layout of this blog a little so it's easier to read and to look at photos without having to click on them beforehand. Shea operates her own blog here, with lots of lovely photos and insightful tidbits and super-aesthetic fashion. I give it a five out of five.

Secondly, I've finally decided upon my Semana Santa (Holy Week) plans:

Hiking the last ~100 kilometers of El Camino de Santiago. (!)

(If you're unaware, El Camino de Santiago [literally, "the walk of Santiago"] is a religious pilgrimage that many people take to the shrine of Saint James, who is the patron saint of Spain. Lots of people also just hike the trail as an opportunity for self-reflection, spiritual growth, or simply life experience.)

This decision was informed by a variety of factors (including sky-high ticket prices), but really, I think that it accurately reflects my attitude toward the whole study abroad experience. Before this, I'd never been to Europe, and had all sorts of excessive dreams about visiting every country and seeing every piece of history. As the semester progresses, I realize more and more that that's not remotely possible. The world is huge, and though life is finite, I like to hope that I have at least another fifty or sixty years to come back and experience more. Considering that I chose to come to Spain to immerse myself in its culture and its language, it only seemed appropriate that I stay in-country and explore Galicia, an entirely different part of Spain.

Plus:
  1. The idea of hiking the El Camino during Semana Santa and arriving in Santiago de Compostela on Easter Sunday sounds unbelievably exciting.
  2. I will get a neat little certificate when I am finished, and I'm a sucker for neat little certificates.
  3. There will be lots of fascinating people along the way and I might make some new friends.
  4. Hiking will probably be safer than going to Morocco alone like I'd originally intended.
  5. Perhaps most meaningfully: My Catholic grandparents were some of the best role models I could have asked for and two of the most impressive, intelligent, generous people I've ever known. Though I don't necessarily share their piety, I like to think they would be incredibly excited if they were alive to see me do this.
Needless to say, I probably won't have access to the Internet during this time, so I'll have to schedule lots of nice things to post in the interim, but rest assured that I'll have stories upon my return.

Hooray!

Saturday, March 21, 2015

Mr. Blue

It's cloudy outside, and I need to sit down and make plans for my spring break (which is next week).

This song is by a group called The Fleetwoods, and was really popular at the end of 1959. I don't know how the charting system works for popular music, but I guess this was #1 for a while.

And now they're just another group in the annals of pop history.


- "Mr. Blue" by The Fleetwoods (1959)

Thursday, March 19, 2015

To Die By Your Side

This is a funny stop-motion short film by Spike Jonze. Reading that sentence back, I realize that it's rather pretentious and "hip," but I'm lazy so I'm leaving it there.

The movie is called "Mourir auprès de toi" ("To Die By Your Side" in English, which I'm sure was a very-intentional nod to The Smiths) and is about a series of literary characters (namely Hamlet, Mina Harker from Dracula, and Moby Dick) who come to life one night in a Paris bookstore. This store, which is a real place called Shakespeare and Company, is apparently pretty famous, though I'd be lying if I said I'd heard of it before watching this. Anyhow, the film itself was animated in 2011 by a designer named Olympia Le-Tan and Leonard Cohen, who can seemingly create just about any form of art exceedingly well.

My favorite part of this whole movie might be the part where Mina punches Moby Dick. My least favorite part, on the other hand, is probably the dialogue, because it sounds hackneyed and unnecessary. Or maybe I just don't like the way Spike Jonze's voice sounds coming from Hamlet's skeleton. I'm not really sure.



Wednesday, March 18, 2015

The Perry Bible Fellowship

I now present you a few strips from the Perry Bible Fellowship, a series overseen by a man named Nicholas Gurewitch. It was started in 2001, and though it's still kickin', it's only updated once in a blue moon. The archives have a few hundred strips from years past, many of which have little hidden jokes and references within themselves, which I love. It's like a secret search for funnies.

Because formatting is hard, you should click on these strips to enlarge them before you read them. May you enjoy them even half as much as I do:





Tuesday, March 17, 2015

Blood Meridian: Or, Why I Love Books

Alright, so if you know me you know I love books. It's not that I'm a very avid reader; in fact, regarding volume, I read much less than many people I know (such as my mother). But there's something almost sacred about being able to explore a world within itself inside of a piece of literature.

With that immersion in mind, I just finished reading Blood Meridian: Or, The Evening Redness in the West by Cormac McCarthy. My head is reeling.

A few years back, I read McCarthy's The Road, which depressed the heck out of me, though I appreciated it quite a bit for its eventual hope and poignancy. Afterward, I made several attempts at reading Blood Meridian, but stopped every time. I found the writing arduous and slow, the violence off-putting, the characters frustratingly nebulous and the dialogue unnecessarily sparse. But recently, a few people, including my good friend Alex, encouraged me to give Blood Meridian another chance. At the start of this semester, I began reading it with a new-found determination, and finally reached the last page on Sunday morning.

In case you're unfamiliar with the book, I'll break it down without giving anything too good away:

It's the late 1840's, the United-States-Mexico border is a bloodbath, and lots of regional leaders are willing to pay top-dollar for Apache scalps. Enter The Kid, who's more-or-less the protagonist of the novel and a teenage runaway who falls in with a gang of scalphunters. The gang is led by Judge Holden, an intelligent and ruthless killer, who is basically violence incarnate. Paid to kill the indigenous people, the gang does just that for a little. It's not long, however, before they decide that murder is kind of fun, so they begin to kill just about anyone they find, including peaceful and unarmed villagers.

As you may imagine, it's a pretty dark book. I had to read it very slowly because a lot of the depictions of suffering affected me. But, once I finished it, I felt as though I'd read Moby-Dick or something of that magnitude. But though it's a fairly unhappy book, one which very starkly outlines humankind's innate desire for war and conflict, it's made me think about a lot of things, like how American values have grown out of its rather violent and oppressive history, how the Western genre functions, and why we love to fight so much.

Blood Meridian is most certainly not for the faint-of-heart, but if you're feeling ambitious and resilient, I definitely recommend it.

On a much lighter note, this afternoon I played sidewalk-soccer with a man in a suit using an orange as our ball. He seemed mildly pleased that I intercepted his game, and we played all the way to the next crosswalk. For such a brief encounter, it made me smile pretty hugely.

Bitter Córdoba oranges --> marmalade

Sunday, March 15, 2015

Portuguese (Why I Love Language)

So, as I mentioned in an earlier post, I thought a lot about the Portuguese language while I was in Lisbon. I use the phrase "thought a lot about" very loosely, considering I don't speak more than a word of Portuguese, but I was surprised even by its slight similarity to Spanish. It was vaguely intelligible to read, because it's written a bit like Spanish, but impossible to understand verbally, or at least for me. I could read an advertisement that translated poetically as "add some delight to your life," and another that was literally "because everything is better with bacon." So I felt very precocious, at least until I heard people talking. The sounds are completely different from English and reminded me more of the noises that people make in the Sims games. In a good way. I'd really like to learn Portuguese, should I ever have the time.

But, what really got me thinking was the idea of how language shapes a person's entire worldview, which in fancy specialist terms is called linguistic relativity. I won't prattle for too terribly long, because I realize that most people are probably not as excited about words as I am, but the concept of linguistic relativity is pretty cool. More or less, it argues that a person's cognitive processes are affected by her language. (If you're interested in learning about it from someone who knows what they're talking about, here is the Linguistic Society of America's take on it, in addition to a link to the Stanford website above.)

For example, and this is probably the most famous example, there are plenty of languages which distinguish colors differently. In English, there are two separate words to signify the colors blue and green. In Ancient Egyptian, on the other hand, there is one word (wadjet) to signify both blue and green. Furthermore, there are languages like Turkish, which treat light- and dark-blue as two separate colors. To a native English-speaker, however, light- and dark-blue would instead be considered different shades of the same color. It would be impossible to say that people who speak different languages physically see different colors, but it does seem as though they may easily conceptualize of colors differently, based on their language.

Pretty cool, huh?

Saturday, March 14, 2015

The Garden of Allah

This postcard was written from F. Scott Fitzgerald to himself when he was working as a screenwriter in Hollywood. It's from approximately 1937, when Scotty was living at the Garden of Allah Hotel, which was kind of like the Chelsea of 1930's Los Angeles. Lots of famous people lived there, from Sergei Rachmaninoff and Artie Shaw to Harpo Marx and Lauren Bacall.

Around the time Fitzy wrote this, he was working on screenplays, drinking heavily, and recovering from a heart attack. Considering the circumstances, it makes sense that this postcard exists, stamped but never sent:


For a professional writer, his grammar usage could be better. "I have living at?" Nonsense.

Then again, my grasp on English-language grammar has tanked since moving to Spain, so I will stop criticizing this note and instead do something productive, like finish reading Blood Meridian, or perhaps catch up on sleep if I'm feeling particularly ambitious.

Wednesday, March 11, 2015

These Foolish Things

Poor, sad Bryan Ferry rocks a white suit and sings a classic song.


-"These Foolish Things" by Bryan Ferry, from the album These Foolish Things (1973)

Tuesday, March 10, 2015

Nyhavn Tattoos

The below photos, the first of which is one of my favorites, are from Nyhavn, the world's oldest operating tattoo parlour. (The shop is now called Tattoo Ole, but here's a link is to its website, if you don't believe me and are able to read Danish.)

The top photo was taken in 1942, though the parlour itself opened in 1902. It all began when a seventeen-year-old who came to be known as "Ink Hans" (translated to English, of course) asked the owners of a pub if he could tattoo people in the basement. The proprietors agreed, the early twentieth-century being a time before the considerations of licensure and legal liability, and Ink Hans got to work.

Around the time he opened the shop, one of his customers told him about this machine that an artist had used to tattoo him overseas. He was intrigued, and asked the customer to describe the machine. Ink Hans then took the description to a blacksmith, who made him what was probably a really temperamental and one-of-a-kind tattoo gun. Using this gun, he was able to make a lot of money off of visiting sailors: many of the men who docked and spent the night with prostitutes wanted these women to get tattoos of their names. I guess Hans found that as hilariously egotistical as I did, because in his tattoo gun, there was a secret contraption that he could use to retract the needle and give temporary tattoos instead. With this, he was able to give prostitutes tattoos that would wash off the next day. Therefore, the possessive sailors could undock with the belief that their names were forever on these women, the women remained happily unblemished, and Ink Hans got his money. Everybody won. For a while, everything was a party, until Ink Hans seemingly disappeared from the annals of history and was never heard from again.

The shop changed hands a few times until the 1940's, when it came under the direction of Tattoo Jack, the man seen in the photos. He was this super-famous tattoo artist who eventually went to jail on drug charges, but for a while he was especially popular among the Swedes for his tattoos of women.

It seems as though he had impeccable talent for marking people up while smoking, while miraculously not burning anyone.

Nyhavn, 1942, Tattoo Jack and some sailors

Finally, thanks to the wonderful folks at Reddit, I found this photo of Tattoo Jack smoking and tattooing the other sailor as well.

Nyhavn, date unknown

The sailor stereotypes I've carried all my life might've been true after all...

Sunday, March 8, 2015

Lisbon, pt. I

I got back from Lisbon today, and already I want to go back. We only stayed for two days, not nearly long enough, but it's on my shortlist for return trips, whenever the opportunity may arise. Though I'm so tired it feels like someone took out part of my cerebral cortex, here are a few snippets of the experience:

  • Wading in the other side of the Atlantic, which was surprisingly warm.
  • Slippery Portuguese pavement.
  • A suspension bridge and pervasive hills and plentiful street art, reminiscent of San Fransisco.
  • More trains than I can count, including two overnight trains that had minimal legroom but nicely-sized tray tables.
  • The Portuguese language, which I can and maybe will write an entire post about in the near future.
  • Birds, everywhere.
    • And vendors selling roasted chestnuts, which I didn't even realize people ate until now.

Poorly-constructed panorama of the city from
São Jorge Castle
Down by the water
Heartbreak and fresh breath on Line 1 of
the Madrid Metro, 9:00 a.m.

Saturday, March 7, 2015

Cruisin'

Can someone please tell me when and why ducktails ever went out of style?


-"Cruisin'" by The Stray Cats, first released in 1990, rereleased in 1992 on the compilation Runaway Boys (1992)

Thursday, March 5, 2015

Repose of Rivers

Hart Crane is one of those poets who never really became a household name, which, considering that he was a poet, isn't really saying much. His life was, as you might guess, rather tragic: sexuality-related guilt, alcoholism, unrequited love, crippling depression...he was constantly afraid of losing his artistic capability, and I'm under the impression that this unease morphed into a self-fulfilling prophecy, one which resulted in his suicide in 1932. Despite this, he was able to create some decent poetry, poetry whose influence is still present in today's American poetry, or so I would argue.

At the Brooklyn Bridge, date unknown (at least to me)

Here is a poem from his first collection.

"Repose of Rivers"

The willows carried a slow sound,
A sarabande the wind mowed on the mead.
I could never remember
That seething, steady leveling of the marshes
Till age had brought me to the sea.

Flags, weeds. And remembrance of steep alcoves
Where cypresses shared the noon’s
Tyranny; they drew me into hades almost.
And mammoth turtles climbing sulphur dreams
Yielded, while sun-silt rippled them
Asunder ...

How much I would have bartered! the black gorge
And all the singular nestings in the hills
Where beavers learn stitch and tooth.
The pond I entered once and quickly fled—
I remember now its singing willow rim.

And finally, in that memory all things nurse;
After the city that I finally passed
With scalding unguents spread and smoking darts
The monsoon cut across the delta
At gulf gates ... There, beyond the dykes

I heard wind flaking sapphire, like this summer,
And willows could not hold more steady sound.
-From White Buildings (1926)

Wednesday, March 4, 2015

Bear Pits

It's fun to read newspapers. Check out this article about the world's kindest zookeeper, who once lived in London. I especially liked the part where "the bears were in an awkward temper."

ZOO-KEEPER IN BEAR PIT ALL FOR A LADY.

The keepers at London Zoo are called upon to perform all sorts of unexpected tasks. Last month one man was disturbed while he was having his lunch by an agitated woman who had dropped her hand bag in the bear pit. Would he get it for her? 

There were eight bears in the pit. The keeper went in, kept them off with a broom handle, and gathered up the scattered contents of the bag which had been torn to ribbons. He retrieved a batch of pound notes, two handsful of silver and odds and ends. 

On returning them to the owner he was told: "I have come from Huddersfield and left all my things at a London terminus and the cloakroom ticket is still in the bear-pit." 

The keeper went back to the pit and returned with the ticket. This time he was greeted with, "My spectacles are still down there." Down the keeper went again. By now the bears were in an awkward temper at the constant interruption but the keeper succeeded in finding the spectacles. When he returned them he was rewarded with a smile and the parting remark, "I am very indebted to you; thanks ever so much. I will leave you my name and address so that you can send along anything else you find. Good-day."

-Taken from The Singleton Argus, Monday, July 25, 1938

Tuesday, March 3, 2015

Málaga

As I've mentioned, this past weekend I went to Málaga with a very fine group of friends and it was very reinvigorating and enchanting (yes, enchanting). We spent time at the beach, which was very rocky, climbed up Mount Gibralfaro to look out at the Mediterranean, and went to the Museo Picasso Málaga, which was perfectly-sized for an afternoon visit.

There were also a lot of buskers and feral cats, as well as tourists and very amiable locals. We were walking through a fairly busy plaza when we passed a family with small children, one of whom was carrying a big green leaf. Her father leaned down and whispered to her to give it to one of us, but she didn't seem to want to. When I looked back to wave goodbye, however, the little girl was chasing me with her leaf, which was promptly carried away by a gust of wind. We chased it down and I gave it back to the little girl, who was giggling and smiling. Then I said goodbye and we went on our way. It was one of those insignificant but blissful moments that remind me of the trivial joys within the everyday.

New friends
Málaga from the hill
Cardinal directions
Playin' on la playa

Portholes

Monday, March 2, 2015

Dementia 13

I could post photos from my weekend, but seeing as I'm already in bed and looking for a brief pre-sleep distraction, I share with you Dementia 13.

This was, more or less, Francis Ford Coppola's first directorial effort, and it's entirely different from his later films. The plot of this film, which is now in the public domain, focuses on a young woman attempting to be written into her mother-in-law's will just after her husband dies. She covers up the death and travels to a creepy castle, where mayhem ensues. If you at all like Francis Coppola's movies and/or horror films, you should at least consider this one.

Oh, and because I like little tidbits like this: Word on the street is that Tom Petty took the line "raised on promises" from this movie and used it in the song "American Girl." (I fully acknowledge that IMDb trivia is not the most credible source but it was the best I could do.)

Anyhow, if you find yourself intrigued, here's the film, courtesy of the ever-benevolent Archive.org.

Sunday, March 1, 2015

Zuheros

I just got home from Málaga and feel extremely refreshed and prepared for another week of school. I'll write more about it soon, but as I need to play a little bit of catch up, here are a few photos from a trip we took on Friday to Zuheros! It's this tiny little mountain town of roughly 900 residents, about 60 kilometers southeast of Córdoba. While we were there we visited a bat cave with some really cool Neolithic cave paintings of goats, and also a super old Arabic castle, because those are everywhere in Andalucia. While we were there we also ate lunch in this restaurant that had a bunch of Photoshopped photos of the owner with Spanish celebrities. It was peculiar because there were also photos of people like David Beckham and Tom Cruise in this restaurant, photos which looked much more authentic but still seemed unbelievable because why would Tom Cruise ever be in Zuheros?

Many more photos were taken than could ever be posted on a single blog post, but here are some highlights:

Naranjos in the street
Castillo
Castillo, again
Two men and a fountain
Little tiny pueblo in the mountains
Olive trees to olive oil