Showing posts with label 1988. Show all posts
Showing posts with label 1988. Show all posts

Thursday, August 22, 2019

On bravery

I was speaking with an old friend the other night, sleepy bedtime tones, when she called me “brave.” My immediate, funny-bone reaction was to dispel her characterization. At the risk of sounding falsely modest, I’ve never quite understood that label. When I was nine, I was “brave” for attending my grandfather’s funeral; when I was eighteen, I was “brave” for calling ambulances and learning to give extended medical care to someone I loved; when I was twenty-four, I was “brave” for moving to a city by myself, sight unseen, in a country I hardly knew.

But this is simply life. Though the timelines and specifics are special to each of us, we all go through these transitions. We lose the people who helped us stay grounded. We lose the spaces and sidewalks that kept us company during the loneliest early-morning hours. We lose the sense of innocence and wonder that guided us before experience began clogging our emotions. Sure, we gain and we grow from this grief, but we lose so much.

So when my dozing friend told me I was “brave,” I reassured her that, like most people, I’m terrified every day: of knocking over fruit stands at the supermarket, of forgetting to express something valuable to a person I care about, of seeing my folded-up-and-tucked-away feelings pulled on or disregarded or even merely acknowledged. I fear innumerable hypotheticals, from the trivial to the profound. These imagined situations rarely come to pass, yet I suspect they keep most of us disproportionately preoccupied. We’re all frightened in our own awful and brilliant ways.

So what does bravery really mean? I’m scared by a lot of the choices I make—I don’t think that’s unique—but I still move forward with them, likely because I’m more unnerved by the alternative, by the path suggested by a different choice. Many people navigate their entire lives this way, constantly dancing ahead upon the hot coals of anxiety. But bravery has nothing to do with an absence of fear. It is, of course, the will to keep moving despite those reservations, the steaming blisters forming on our feet.

Which, naturally, makes all of us brave for simply breathing. Full stop. The act of mere living, many days, requires a courage and resolve that we don’t celebrate often or wildly enough. So let me remind you, person reading this, that you are brave for getting out of your bed this morning. You are brave for choosing to live through another day. You’re brave for putting labor into anything you care about, and you’re brave for caring. You’re brave for living in a world where you know you might—and probably will—lose some of the people you love. You’re brave for continuing to love those people, maybe even harder, in the face of that knowledge and the inevitable pain it will eventually bring.

And so maybe this is what folks mean when they say brave. It’s not code for “fearless” or “stoic,” but on the contrary: it’s a celebration of sensitivity, of the private and starry-eyed hunger we all feel for this life, of the desire to seek change and development in the face of loneliness or grief. It’s the determination to search for beauty in the chaos of our wonderful, disastrous planet. It's being adventurous, and honest, and vulnerable, especially when you don’t know where those actions may lead.

And so, reader, in the spirit of our collective fear, I challenge you: pursue one unnerving impulse today. Act on something. Take a risk. Tell the truth. Whether you’re reminding your high school English teacher what an impact she made on your life or whether you’re selling all of your earthly possessions and joining Scientology (please don’t actually do that), go out on that limb. Even if it’s a little one. And if you’re feeling proud, drop me a line about it. Help keep me accountable to my own directives, too.

As always, thank you for reading.


- "Running Scared," or how I feel on a daily basis, from Roy Orbison's Black and White Night (1988)

Saturday, November 18, 2017

Only the Lonely


- "Only the Lonely" by Roy Orbison, from Black and White Night (1988)

Tuesday, November 29, 2016

The Last Beat of My Heart

I'm most certainly not posting lovely, moving songs from my work computer.


- "The Last Beat of My Heart" by Siouxsie and the Banshees, from Peepshow (1988)

Wednesday, April 29, 2015

Little Things

While I was in London this weekend (and I swear I have photos from this trip, along with everything I shot in Sevilla, Granada, and Malta, and I will post them when I have a spare moment!), I found myself in a little shop called The Book Warehouse. Because nothing makes me feel quite as complete as a new book, I decided to buy a small, lightweight, travel-friendly copy of the short story collection Will You Please Be Quiet, Please? by Raymond Carver.

Although I'm still wrapping up Absalom! Absalom! right now, this collection has entirely stolen my attention. Raymond Carver can write like nobody's business. I'm not exaggerating when I say that these are probably the best short stories I've read in six months. Which isn't really saying a whole lot; I haven't read a ton of short stories in the last six months. But I digress.

This story initially appeared under the title "Popular Mechanics" when it was published in What We Talk About When We Talk About Love in 1981.

"Little Things"
Early that day the weather turned and the snow was melting into dirty water. Streaks of it ran down from the little shoulder-high window that faced the backyard. Cars slushed by on the street outside, where it was getting dark. But it was getting dark on the inside too.

H
e was in the bedroom pushing clothes into a suitcase when she came to the door.
I'm glad you're leaving! I'm glad you're leaving! she said. Do you hear?

He kept on putting his things into the suitcase.

Son of a bitch! I'm so glad you're leaving! She began to cry. You can't even look me in the face, can you?

Then she noticed the baby's picture on the bed and picked it up.

He looked at her and she wiped her eyes and stared at him before turning and going back to the living room.

Bring that back, he said.

Just get your things and get out, she said.

He did not answer. He fastened the suitcase, put on his coat, looked around the bedroom before turning off the light. Then he went out to the living room.

She stood in the doorway of the little kitchen, holding the baby.

I want the baby, he said.


Are you crazy?

No, but I want the baby. I'll get someone to come by for his things.

You're not touching this baby, she said.

The baby had begun to cry and she uncovered the blanket from around his head.

Oh, oh, she said, looking at the baby.

He moved toward her.

For God's sake! she said. She took a step back into the kitchen.

I want the baby.

Get out of here!

She turned and tried to hold the baby over in a corner behind the stove.

But he came up. He reached across the stove and tightened his hands on the baby.

Let go of him, he said.

Get away, get away! she cried.

The baby was red-faced and screaming. In the scuffle they knocked down a flowerpot that hung behind the stove.

He crowded her into the wall then, trying to break her grip. He held on to the baby and pushed with all his weight.

Let go of him, he said.

Don't, she said. You're hurting the baby, she said.

I'm not hurting the baby, he said.

The kitchen window gave no light. In the near-dark he worked on her fisted fingers with one hand and with the other hand he gripped the screaming baby up under an arm near the shoulder.

She felt her fingers being forced open. She felt the baby going from her.

No! she screamed just as her hands came loose.

She would have it, this baby. She grabbed for the baby's other arm. She caught the baby around the wrist and leaned back.

But he would not let go. He felt the baby slipping out of his hands and he pulled back very hard.

In this manner, the issue was decided.
 - "Little Things," from Raymond Carver's Where I'm Calling From: New and Collected Stories (1988)

Thursday, April 2, 2015

Running Scared

El Camino auto-post number three: Today I'm probably in Palas de Rei.

This is perhaps one of the saddest songs I've ever heard. The recording is from "Black and White Night," which was a special concert from 1988. The whole concert was focused on Roy Orbison, but if that weren't good enough, he managed to get a bunch of other really cool people (i.e. Elvis Costello, Bruce Springsteen, Tom Waits, k.d. lang, Jackson Browne, Bonnie Raitt...) to perform with him.


-"Running Scared" by Roy Orbison, from Black and White Night (1988), originally released in 1961

Friday, January 9, 2015

Bad Mouth

Yesterday I had my wisdom teeth pulled. They put me under, but thanks to the advice of my good friend Zoë, I asked them to save my teeth before the procedure. When I woke up, groggy and confused, I found my teeth in a little envelope taped to my shirt. And, because I was still fairly affected by the anesthesia, it was a hugely triumphant moment.

Then I got home and spent the rest of my day in bed, watching Billy Wilder movies and complaining about how badly my jaw hurt and how I couldn't eat anything crunchy.

So in honor of wisdom tooth extractions and good music, I give you Fugazi.


- "Bad Mouth" by Fugazi, originally released on the EP Fugazi (1988)

Tuesday, November 4, 2014

King of Spain

Hometown heroes, straight outta Cambridge, Massachussetts.


-Galaxie 500, "King of Spain," from Today (1988)

I love this album very, very much. There's something wholly atmospheric about it. The whole thing is on YouTube, so if you decide you like this song enough, give it a listen. It's space-y and distorted and thick and melodic and entirely worth the forty minutes.

Also, apparently Conan O'Brien provided the drum kit that Damon Krukowski played in their early days. Cool.