Showing posts with label 2010. Show all posts
Showing posts with label 2010. Show all posts

Tuesday, August 23, 2016

Gelaye

I first heard this band while watching the phenomenal A Girl Walks Home Alone At Night. Its atmosphere and acting aside, the film has a fitting soundtrack full of gems which were yet-unknown to me. I recommend it if you're into horror movies more complex than scantily-clad teenagers, creative cinematography, or sad vampire stories.


- "Gelaye," by Radio Tehran, from 88 (2010)

Friday, July 31, 2015

I Can See Your Tracks

This is the quintessential adolescent summer album. The first time I heard it, I was in the car with my parents, driving on Highway 24 from Lawrence, Kansas to Platte County, Missouri. I'd bought a copy at Love Garden when I was seventeen and my lovely parents were willing to listen to it with me on the drive home. It's remained one of my favorite albums, and I encourage you to listen to it only if you specifically enjoy softly energetic, folk-influenced, contemporary pop music.

While I love to reminisce, I should cut this short, for fear of becoming too sentimental or missing my train into Boston--I'm going to Spectacle Island today to read and spend time with my dear friend Adeline. Until later, dear reader!


- "I Can See Your Tracks" by Laura Veirs, from July Flame (2010)

Friday, November 28, 2014

And This Is What We Call Progress

This album, The Besnard Lakes Are The Roaring Night, often takes me back to high school. When I was a junior, my parents drove me all the way down to the Ozarks (a three-and-a-half hour drive each way) because of a Scholastic writing competition in which I'd taken part. They agreed to drive me to this over-the-top resort called Tan-Tar-A so that I could accept an honorable mention award or something like that. I remember feeling like it was a fairly ridiculous request at the time (even more so in retrospect), but my parents insisted on taking me down to accept my hard-earned piece of congratulatory paper. So they did.

On the way home, late at night, I remember laying in the back seat of my mother's red Honda Civic, listening to this album. The sleepiness I felt, mixed with the dreaminess of the album, made a weirdly strong and lasting impression on me. I can't hear this album now without thinking of driving through mountains and fields and dark rainy night.

Here is "And This Is What We Call Progress."


- From The Besnard Lakes Are The Roaring Night (2010)