Wednesday, November 22, 2017

Blind Curse

On this modest break, I'll be stepping away from blogging to focus more time and energy on writing poems. I'm on a productive streak, and I will do whatever I can to keep it going. I'll check back in here when I've written the next Pushcart Prize-winning poem.

Today I also received my contributor copy of Kansas City Voices, Vol. 14. This issue contains a lot of impressive poems and artworks, and I'm honored to have one of my own poems published inside. If you like supporting artists and small presses, consider buying a copy for someone you like. If you hate artists and independent publishers, please buy a copy for someone you despise. The spite will really come through when the despised person opens his mailbox to your angry parcel.

As we push forward to comfortable and joyous family gatherings, I hope you'll appreciate this poem by Simon Ortiz.

Happy Thanksgiving.

"Blind Curse"

You could drive blind
for those two seconds
and they would be forever.
I think that as a diesel truck
passes us eight miles east of Mission.
Churning through the storm, heedless
of the hill sliding away.
There isn’t much use to curse but I do.
Words fly away, tumbling invisibly
toward the unseen point where
the prairie and sky meet.
The road is like that in those seconds,
nothing but the blind white side
of creation.  
                    You’re there somewhere,
a tiny struggling cell.
You just might be significant
but you might not be anything.
Forever is a space of split time
from which to recover after the mass passes.
My curse flies out there somewhere,
and then I send my prayer into the wake
of the diesel truck headed for Sioux Falls
one hundred and eighty miles through the storm.
- by Simon Ortiz, from After and Before the Lightning (1994)

Monday, November 20, 2017

Sunday, November 19, 2017

Mama Says

My sweet friend Alejandro showed me this act Ibeyi last week, and I'm sold. The group consists of twin sisters Lisa-Kaindé and Naomi Diaz. At 22 years old, they're a force to be reckoned with.

This song in particular was written for the sisters' father, Anga Díaz, who was a part of the Buena Vista Social Club.


- "Mama Says" by Ibeyi, from Ibeyi (2015)

Saturday, November 18, 2017

Only the Lonely


- "Only the Lonely" by Roy Orbison, from Black and White Night (1988)

Friday, November 17, 2017

Heart Don't Stand A Chance


- "Heart Don't Stand A Chance" by Anderson .Paak, from Malibu (2016)

Thursday, November 16, 2017

Human Racing


- "Human Racing" by St. Vincent, from Marry Me (2007), performed on NPR's Bryant Park Project (2009)

Wednesday, November 15, 2017

Celebration // Maybe I'll Come Down

Recently, I've been zooming left and right and down, but mostly up. A few days ago, I got word that one of my poems will be published by Linden Avenue Literary Journal in March—hooray! I'll be sure to self-promote when that issue comes out.

In all seriousness, Linden Ave is a wonderful publication. Because I'm honored for their support, I hope anyone reading this will take the time to check out their website or follow their Facebook and Twitter pages. They're great folks, and they publish a lot of gut-punch writing.

In the spirit of zooming, and of feeling elevated, here's a song by one of my favorite acts.


- "Maybe I'll Come Down" by Soul Coughing, from El Oso (1998)

Monday, November 13, 2017

Rock 'n' Roll Suicide

In middle school, my remarkable friend Molly shared with me her love of David Bowie. At that point, I don't think I was mature enough to appreciate the fierce enterprise of his music. I liked the hits, sure, but Ziggy Stardust was far beyond me. I just didn't get it.

Now that I'm a few years wiser, these songs hit me like a mace. The lyrics, the structures, the orchestration...every time I listen to David Bowie, I think of Mols. To me, those small-yet-persistent gifts are one of the marks of a meaningful friendship.

For this song, and for the perspective I needed to appreciate it, I am so grateful to Molly, and every other genuine friend I've met along the way.

And I'm grateful to you for reading this. Thank you, as always.


- "Rock 'n' Roll Suicide" by David Bowie, from The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)

Sunday, November 12, 2017

Me, Too

I'm fucking angry.

Yes, I have been taken advantage of, harassed, and abused. This is the reality for almost all women (which is to say nothing of trans and non-binary individuals). I have been called names; I have been followed. I have been grabbed, and I have been insulted in the most demeaning ways. I have survived a long-term abusive relationship. I have been told by a respected colleague that he wanted to make me "as uncomfortable as possible." I have gone through workplace protocols of complaint. I have sat furiously in the aftermath, after my employer did nothing to protect me or discipline the individuals at fault. I have watched many of these abusers receive award and accolade. I have held my tongue.

This is the world we live in. I try hard not to be jaded, but today I'm allowing myself to sit with this anger, and to share it.

I logged onto Facebook this afternoon, and read a post about Brand New's Jesse Lacey. The musician was recently accused of misconduct involving an underaged child. These accusations are eerily similar to an experience I had around the age of sixteen.

Somehow, I began corresponding with a local man in his twenties. We'd never met, but we had friends in common. He knew how young I was, and yet we often exchanged sexually charged messages. I won't share it here, but I still vividly remember some of the language he used toward me.

Our exchanges never progressed beyond these messages. I remember once, after I finished taking the SAT, I opened my phone to a text-message invitation to his house. Over the course of a month or two, he invited me over numerous times. Even at sixteen, I knew something was wrong with those invitations. I never went. I felt uncomfortable, ashamed, and scared. I was just a kid, but I felt responsible.

Until now, I don't know that I've told a single person about this experience.

This individual is now an active member of my creative community. He is respected and well-liked, even by people whom I might consider friends of mine. I have shared a stage with him, and I have ignored his messages afterward. I have avoided events where I thought he would be present. The discomfort I feel around this person is far greater than any remorse I'd feel for missing out on a performance.

And I'm tired of feeling defeated. As I read the aforementioned Facebook post, I saw that this individual had left a comment to condemn the abuser. He argued for the execution of child abusers, demanding that they "be put to the firing squad." For a moment, I thought about calling out the hypocrisy of his post. Ultimately, I decided not to—I don't have the energy to search for those text messages and back up my claims; I don't have the energy to be questioned and avoided. I'd rather sit on my hands than face skepticism and exclusion for my experiences.

Honestly, I'm nervous to even publish this account, but writing this post was the best revenge I could have enacted. I feel just a little stronger for having voiced this story.

I am not alone in this, and neither are you. I'm still trying to figure out the significance and meaning behind all these experiences. If you're in the same boat and comfortable reaching out, I would love to hear from you. Shoot me an email, or send me an anonymous note. Let's talk about it, and let's hold each other up. We don't have to accept abuse as the status quo, even if we aren't all ready to share our stories and bare our scars. We can fight the messy fight for a more respectful world, and we can each contribute our own strengths to the battle.

It's going to take a long time, but we can do better.