Saturday, November 11, 2017

Little Love #5: Toothpicks

Little Love Number Five: Toothpicks

I have the gross and sometimes-painful habit of picking at my skin. I can't remember exactly when it started, but I do remember accidentally drawing blood on my little finger when I was maybe six years old. Though it's probably not a very healthy practice, I've never been too worried about it: I'm not ingesting chemicals, and I'm not shaping my life around my finger-picking. Should I ever decide to become a serious guitarist, I'll already have killer calluses to back it up.
In the numerous times I've tried to quit this habit, though, I've noticed one consistent crutch: toothpicks. Having a toothpick to fiddle with means that I don't have to torture my fingers raw. Instead, I can focus all my nervous energy into chewing on a tiny piece of wood, all the while improving my periodontal health. In college—an especially nervous period—toothpicks helped me bite my way through countless classes and essays. In fact, I think my best piece of academic prose was born between several mangled toothpicks in a Panera in Cambridge.
Until I manage to swallow a splinter (à la Sherwood Anderson), it's not a bad trade-off.

Friday, November 10, 2017

Two of Hearts

It's Friday night. You should be dancing.


- "Two of Hearts" by Stacey Q, from Better than Heaven (1986)

Thursday, November 9, 2017

Magnasanti

I have an embarrassing confession to make: I love SimCity 2000.

As a kid, I played the game frequently and halfheartedly. I never really understood the planning aspects, but I loved to pretend that I did (admittedly, my arrogance hasn't changed much). Recently, however, I've discovered the game anew. I'd been futzing around with online emulators until my S.O. presented me with a copy of the game.

This changed everything.

I've been enjoying the game way too much. SimCity's open-ended structure allows for players to design and build their own tiny cities. Yes, it's as nerdy and addictive as it sounds. Because there's no clear end goal, it's easy to get sucked into the endless pit of development. I'm trying not to become one of those video game-addicted robots who never leaves the house.

Of course, obsession can occasionally lead to remarkable, if creepy outcomes. Sometime in the last five years, an architecture student named Vincent Ocasla used SimCity 3000 to create a dystopia of six million residents. His virtual city, Magnasanti, was inspired by the Ville Radieuse, a conceptual utopia first presented by Le Corbusier. (Ocasla's design eventually landed him a feature on MoMA's Design and Violence.)

Le Corbusier's idealistic, flawed Ville Radieuse

Both projects present compelling questions of urban planning: what is the purpose of mixed-use zoning? What is the relationship between a structure and its site? What is the human experience of such an environment? How do the accidents and imperfections in our cities make our lives better?

But here I am, getting away from myself. If you're still reading this post, check out the weird, mind-boggling video of Ocasla's three-year planning process. I hope it makes you feel at least a little better about how you're spending your life.


Wednesday, November 8, 2017

The Men

Tonight I went to a reading by B.H. Fairchild. I'm exhausted but elated. Here is one of his poems, courtesy of The Poetry Foundation.

"The Men"

As a kid sitting in a yellow vinyl
booth in the back of Earl’s Tavern,
you watch the late-afternoon drunks
coming and going, sunlight breaking
through the smoky dark as the door
opens and closes, and it’s the future
flashing ahead like the taillights
of a semi as you drop over a rise
in the road on your way to Amarillo,
bright lights and blonde-haired women,
as Billy used to say, slumped over
his beer like a snail, make a real man
out of you, the smile bleak as the gaps
between his teeth, stay loose, son,
don’t die before you’re dead. Always
the warnings from men you worked with
before they broke, blue fingernails,
eyes red as fate. A different life
for me, you think, and outside later,
feeling young and strong enough to raise
the sun back up, you stare down Highway 54,
pushing everything—stars, sky, moon,
all but a thin line at the edge
of the world—behind you. Your headlights
sweep across the tavern window,
ripping the dark from the small, humped
shapes of men inside who turn and look,
like small animals caught in the glare
of your lights on the road to Amarillo.
- by B.H. Fairchild, from The Arrival of the Future (1986)

Tuesday, November 7, 2017

Respect Yourself


- "Respect Yourself" by The Staple Singers, from Be Altitude: Respect Yourself (1972)

Monday, November 6, 2017

Janet

Good morning from Logan! As always, Boston has been good to me: I feel more grounded after catching up with so many people I love and care about.

One of those people—my dear friend Kate—always opens my eyes to new music. (Seriously. In four years, she still hasn't steered me wrong.) Here's one of the discoveries she shared with me this weekend.


- "Janet" by Berhana, from the Berhana EP (2016)

Saturday, November 4, 2017

Back to Basics

I'm in Massachusetts!

I'll post more when I'm home this week, but for now, here's a quick little snippet from Wellesley.


Thursday, November 2, 2017

Wednesday, November 1, 2017

The Photography of Helen Levitt

I've got the post-Halloween blues. Now it's that awful time of year when everyone gets hyped up for spending money and underwhelming family holidays. Don't get me wrong—I love winter. The quiet, the stillness, the oh-so-satisfying crunch of fresh snow under your boots. There's something so indefinably relaxing about the cold. At the same time, I'll miss the fiery leaves and spooky excitement of October.

As we move toward the end of the year, here's one last gasp of Halloween goodness, courtesy of Helen Levitt.

Levitt was a photographer who spent her life in New York. Born in Brooklyn in 1913, she developed an interest in photography after dropping out of high school. She became known for her "street photography," documenting everyday life in New York City, and she died in 2009 at the age of 95.

(As an aside, the idea of "street photography" fascinates me. While it has definite merits as an honest and candid form, it's also easily inclined toward exploitation—accidental or otherwise. Perhaps I'll flesh out these thoughts more in a future post.)

Nonetheless, I like these photos because of how they convey the excitement and idleness of a child's Halloween. They remind me of the eagerness I felt as a kid before trick-or-treating, and the exhaustion I felt afterward.

On this day after, I wish you rest and lots of candy.

NYC, 1940

NYC, 1940