On Running

It wasn’t really until after my father’s heart attack in 2016 that I thought of myself as a runner. I was on the cross country and track teams when I was younger, but I was never fast or competitive. I just liked to run and hang out with my friends. In college, running was alternately a way to work out stress or an attempt to control the way my body looked. It was never a high priority for me. Sure, it gave me a sense of peace, but I never truly felt like I could claim the label of “runner.”

So in 2016, when I moved back to Kansas City, running became a way to cope with all the instability in my life. I’d just graduated, and I left Boston suddenly and without a lot of goodbyes. I was doing my best to continue my job search away from home, the response was always rejection. I was far away from a lot of my friends. And, more than anything, I was trying to wrap my head around what had happened to my father, what it meant for my family and for me.

The story goes something like this: when my father finally came home from the hospital after a two-day coma, he was prescribed a steady regimen of physical therapy. He wasn’t yet cleared to drive, so I became his chauffeur. Several days a week, we’d get up early and I’d drive him to his appointment. While he was at PT, I’d park the pickup and go running somewhere nearby. We joked that we were “workout buddies,” which was terribly hokey attempt to laugh at an unfamiliar new dynamic. Once I was done running, I’d pick him up and we’d eat bagels and drink coffee and talk.

I had a lot of reasons for running that summer. It was a way to pass that ninety-minute window of my father’s appointments. It was a way to explore my surroundings, to feel connected to my hometown again. It was a way to work through the grief and anger and frustration and helplessness I was feeling. It was a way, I’d hoped, to avoid eventually ending up in the hospital like he had. It was a way to invest in myself, to feel empowered to set and reach goals. It was a way to meditate, and it was a way to sit with my thoughts and feelings without going bananas. Even when my father was eventually cleared to drive, I continued to drive him to those appointments, as much to be able to spend time with him as to be able to run.

When I think about my father, I hope I will always think of those mornings. When I was a kid, he worked weird hours and was often out of the house or asleep when we were at home. I don’t think I ever spent as much time with him as I did immediately before and after college, two summers when he was sick. During those periods, I tried to take comfort in the fact that we could at least be around one another, that I could finally get to know him better. I wanted that a lot.

In many ways, I've given up on that hope. This last year has been hard. The same father who we tried so hard to be there for…he left. He divorced my incredible, selfless mom after forty years together. And he cut off contact with us. No calls, no messages. He's just gone. I’m not sure what else to say, at this point. Even writing this feels like a betrayal, though I’m not sure of whom.

Furious, devastated, and disgusted, I’ve felt just about every uncomfortable feeling possible in the last nine months. I have so damn much to say, and despite trying my best to find the right words, I still have no idea how to talk about this. I don’t have the language to describe what’s going on in my head—it feels a bit like those ViewMaster slides where you close one eye and suddenly the entire image shifts. A lot of my past life experiences have taken on new meaning. I feel like I’m grieving a living ghost, and that’s an unsettling and complicated feeling.

(And, to be perfectly clear: I speak only for myself as I write this.)

As you might assume, I’ve been looking for ways to cope with these changes. Some of them haven’t been healthy or productive, and a few of them have. More than anything, running has kept me sane. It’s still helping me sit with my emotions. It’s helping me avoid bad decisions and take better care of my body. It’s helping me maintain a sense of wonder and curiosity as I explore new parts of Valencia. It’s helping me remember that I’m strong, and determined, and an all-around bad bitch.

This morning, as I was running through the huertas on the other side of the city, I hit my goal of seventy miles this month. Compared to a lot of serious runners, this is small beans, but it’s a big deal for me. I felt proud of myself for every early morning I got out, every blister, every warped toenail, every ache and every pain. I endured. When I got home, I lovingly made myself breakfast and showered. Then, finally, when I was fed and stretched and clean, I cried my first and brief tears in a while. I was grateful. As hard as it is to keep on living sometimes, we’ve got nothing else. And I want to cling to the small joys as much as possible, because a lot of days that’s all there is. That’s it. We live in an ugly, fucked-up world, but it’s beautiful and strange and surprising and delightful, too. No matter what happens, I can’t forget that. I refuse to become cynical or hardened. I’m not defined by my pain and sadness, but I can find meaning in the humble and quotidian ways I fight them.

To all the folks who've reached out (including the ones I haven't responded to), thanks for loving and caring about me. I see you and love you too. And as always, thank you, reader, for your time and attention.

While you’re here: donate what you can to your local community bail fund, or to other black-led organizations like Black Trans Femmes In The Arts. Take your action offline and into your daily life. Talk to your family and friends about race, even if it's uncomfortable. (Spoiler: it probably will be!) Especially if you're white—and I struggle with this one a lot—take your ego out of it and learn from your mistakes. Everyone makes them.

Finally: If you have something you'd like to ask or share with me, slide me an email. I'd love to hear from you.

Girasoles de la Huerta

On bravery

I was speaking with an old friend the other night, sleepy bedtime tones, when she called me “brave.” My immediate, funny-bone reaction was to dispel her characterization. At the risk of sounding falsely modest, I’ve never quite understood that label. When I was nine, I was “brave” for attending my grandfather’s funeral; when I was eighteen, I was “brave” for calling ambulances and learning to give extended medical care to someone I loved; when I was twenty-four, I was “brave” for moving to a city by myself, sight unseen, in a country I hardly knew.

But this is simply life. Though the timelines and specifics are special to each of us, we all go through these transitions. We lose the people who helped us stay grounded. We lose the spaces and sidewalks that kept us company during the loneliest early-morning hours. We lose the sense of innocence and wonder that guided us before experience began clogging our emotions. Sure, we gain and we grow from this grief, but we lose so much.

So when my dozing friend told me I was “brave,” I reassured her that, like most people, I’m terrified every day: of knocking over fruit stands at the supermarket, of forgetting to express something valuable to a person I care about, of seeing my folded-up-and-tucked-away feelings pulled on or disregarded or even merely acknowledged. I fear innumerable hypotheticals, from the trivial to the profound. These imagined situations rarely come to pass, yet I suspect they keep most of us disproportionately preoccupied. We’re all frightened in our own awful and brilliant ways.

So what does bravery really mean? I’m scared by a lot of the choices I make—I don’t think that’s unique—but I still move forward with them, likely because I’m more unnerved by the alternative, by the path suggested by a different choice. Many people navigate their entire lives this way, constantly dancing ahead upon the hot coals of anxiety. But bravery has nothing to do with an absence of fear. It is, of course, the will to keep moving despite those reservations, the steaming blisters forming on our feet.

Which, naturally, makes all of us brave for simply breathing. Full stop. The act of mere living, many days, requires a courage and resolve that we don’t celebrate often or wildly enough. So let me remind you, person reading this, that you are brave for getting out of your bed this morning. You are brave for choosing to live through another day. You’re brave for putting labor into anything you care about, and you’re brave for caring. You’re brave for living in a world where you know you might—and probably will—lose some of the people you love. You’re brave for continuing to love those people, maybe even harder, in the face of that knowledge and the inevitable pain it will eventually bring.

And so maybe this is what folks mean when they say brave. It’s not code for “fearless” or “stoic,” but on the contrary: it’s a celebration of sensitivity, of the private and starry-eyed hunger we all feel for this life, of the desire to seek change and development in the face of loneliness or grief. It’s the determination to search for beauty in the chaos of our wonderful, disastrous planet. It's being adventurous, and honest, and vulnerable, especially when you don’t know where those actions may lead.

And so, reader, in the spirit of our collective fear, I challenge you: pursue one unnerving impulse today. Act on something. Take a risk. Tell the truth. Whether you’re reminding your high school English teacher what an impact she made on your life or whether you’re selling all of your earthly possessions and joining Scientology (please don’t actually do that), go out on that limb. Even if it’s a little one. And if you’re feeling proud, drop me a line about it. Help keep me accountable to my own directives, too.

As always, thank you for reading.

- "Running Scared," or how I feel on a daily basis, from Roy Orbison's Black and White Night (1988)

On Female Friendship (or, why I drive with the windows down)

“You can’t take my peace, bitch!” she shouted to the Acura that had cut us off in sweaty, tangled Baltimore traffic. The three of us were driving to the airport after a much-too-brief 48 hours together in deep Maryland, a place where the hot air hung thick and green beneath countless Trump flags and sputtering two-engine planes.

When I say that I’m in love with these women, I mean it in the way of love I’ve felt few times in my life. It’s love, an emotion that no degree of italics could capture. The way I feel for the two of them is doubtlessly deeper and more intertwined than the way I’ve felt for almost all of my romantic partners. It’s an attachment that I suspect most folks are lucky to feel a handful of times in this life, let alone for so long.

What no one ever discusses about this kind of love is that it’s discouragingly difficult. It’s work, and patience, and understanding. It’s waiting three years to see each other because that’s the way life carries you. It’s forgiving one other when you disappear from emails for months at a time, and it’s apologizing to your roommate for laughing so loudly at whatever they just sent to your group text. It's knowing that even if they don't respond right away, they still see your words and feel the warmth of your affection across the miles. It’s FaceTiming in traffic because, yes of course that’s dangerous, but your main bitch is going through a time and you’re going to be there for her. It’s sending them the podcasts and albums and books that made you question yourself. It’s being devastatingly honest, out loud and for the first time, because they know if you’re lying about whatever’s on your mind and they’re not here for empty niceties. It’s holding your breath when you say your goodbyes, because you well know by now just how precious your reunions are.

When I last saw these women, I had joked with them about being emotionally closed off. “I didn’t even cry once this weekend, and I’m angry about it.” We’d spent hours floating in piss-warm water, drinking improvised cocktails and airing out our ideas to dry in the sun of each others’ perspectives. After an intensely trying year away, a year in which I lost several loved ones and in several senses of the verb “lost,” I was ready for an emotional release with them.

But my dramatic, misty-eyed monologue never came. We dove into our own tired souls, dredging up whatever willowy sludge we’d cared to share. I felt immensely self-conscious about how detached I could be in talking about the grief I felt, how coldly I could describe the well of my own confused emotion. I imagined that wasn’t a good sign, and my hyperactive imagination urged me to worry that they saw me as invulnerable, unwilling to be present and raw with them in the same way they had both shared with me. As we piled into the car to part ways, I felt anxious that I had taken our time together for granted.

And then we began driving. It was sweltering outside, a clingy stickiness that only happens when it’s July and you’re underslept and dehydrated from long nights and late swills. The windows were cracked, an overeager breeze stirring the car as if desperate to bring us one last moment of overlap. We were silent. We'd said hardly a word for the entire drive, until the obnoxious Acura swerved ahead of us on I-95 as we meandered south.

In that moment, something broke loose. Pushing her middle finger over the steering wheel, she yelled at the other car, the two of us passengers peppering in colorful comments about the value of serenity and the supremely entitled fuckery of DMV drivers. We began laughing, an overreaction to the humor in a fleeting moment. We couldn’t stop. We had moved beyond words; we were simply together.

As the car’s atmosphere again stilled, the weight of our imminent goodbye again pressing down on us, the speakers opened up. “A tornado flew around my room before you came, excuse the mess it made…” Frank Ocean, a hymn we'd memorized through years of shared history. It was a song that felt like being together again. Each of us knew exactly where the other two were, without speech or sight. This was what it felt like to be with the people you loved.

I looked out at the tiny needled skyline, curving past us, finally welling down the tears I didn’t think I could release. And then a hand. She had reached over, tear-soaked fingers in mine, to wordlessly tell me that she was there too. We stretched our palms into the backseat, the three of us clinging to the present as best we knew how, holding onto each other through the last minutes of the journey.

When I drive my car these days, often alone, I do my best to keep the windows down. I like to smell the leafy, dusty landscapes of the county where I grew up. I abhor the heat, familiar and fervently midwestern, but I enjoy the way it makes my skin feel, salty and stained with just the slightest discomfort. I relish the breeze and all it stirs up in my scalp and in my spirit. I love the way it reminds me of being in that car with the two of them, barreling toward an ending and yet impossibly confident that the wind would still, somehow, carry us back together.

- "Thinkin Bout You," from Frank Ocean's Channel Orange (2012)

Buscar La Habichuela

There is a saying in Andalucia, "buscar la habichuela." Quite literally, it means to search for the bean, which couldn't be better. Figuratively, though, it means something more along the lines of to search for life and experience. This is, more or less, what I'm trying to to do with my time here.

My world is relatively static these days: I'm teaching a few new students, taking small trips around Andalucia, and doing my best to make time for the things that make me content. I'm writing less and reading more. Yesterday I finally began reading Hanif Abdurraqib's Go Ahead In The Rain, which, one chapter in, I will heartily recommend to anyone who likes hip hop, personal essays, or vivid and emotional writing.

Because it's about to be Semana Santa, or Holy Week, I have a break from work. So I'm buscando la habichuela and taking a trip outside of Huelva. In a few hours, I'll be on a bus to Portugal before making my way up to England. I will visit a friend of mine, and a few new cities, and I will finally catch up on sleep. My mind is happily scattered in pre-journey jitters.

Last Sunday, I spent the day in Ronda. Perhaps when I'm back home and in my routine again, I will share a few stories from that trip. For now, here is a low-res cell phone photo of the Puente Nuevo awaiting daybreak.

As always, thank you for reading this.

Looking southeast; cold April rain

Back and Forth

The last few months passed at hyperspeed. I'm pursuing a few secret opportunities for next year, traveling to new spots, and picking up more private English classes. (I've also developed a strange and disappointing reaction to bananas. Anytime I eat these very specific ones from the Canary Islands, my mouth itches and burns like an evil pox. I choose to blame it on pesticides, but I avoid eating those bananas all the same.)

Since I last checked in, I've been to Cádiz, Valencia, and a few other cities. I'm trying, desperately, to inhale as much of the landscape as possible while I'm on the Iberian Peninsula. When I was in Portugal last month, someone told me that the name "al-Andalus" was derived from a word meaning "heaven," and while that etymology is debatable, I agree that the countryside here is nearly celestial. Before I return to the U.S., my goal is to explore more of Portugal and Spain. We'll see how that goes.

In the midst of everything swirling around my world, I'm also working on lots of little writing projects. For the first time in years, I'm writing short fiction. It is an absolute joy! Creating such tiny, alternative realities is empowering. Fiction gives me a unique sense of control and liberation. These little narratives are an excuse to be self-indulgent about any topic I want, whether it's Janelle Monáe or public transportation or feminist movies.

To be a writer is to be be selfish, and I happily accept that mantle.

While there is much more to report, I leave you here to read myself to sleep. After an unintentional rash of bleak books (Not That Bad, What We Talk About When We Talk About Love; The Crown Ain't Worth Much), I'm finally working on something (possibly) lighter: Richard Adams's Watership Down. As a child, I false-started this book at least a half-dozen times. I never reached the end, but this time it finally clicks. I couldn't be more delighted.

Eastbound, por las Marismas de Isla Cristina

Porto (A Return)

It’s been almost a year. Over eleven months since I last published a word to this blog. Lately, I’ve thought hard about why that is. I’ve got a handful of secret notebooks; a whole folder of private Word documents on my desktop about public writing, about authenticity, about loneliness. There are hundreds of these abandoned projects. Each false start is a stray pebble, twirling around in the pocket of my mind.

The truth is, it’s a lot easier to be honest when you can hide these pebbles within the luxury of privacy. But that luxury isn’t challenging, nor productive. So here we are. I’ve decided to try writing more for an external audience, to push my own words back into the discomfort of a public arena. I have so much to say, and I’m eager to put a voice—a true, resonant voice—to the things that I’ve seen. I hardly know where to begin.

Maybe the best place to start is with an ending.

Last weekend, I went to Porto and found myself in the midst of a Portuguese funeral procession. I was wandering around the city and had ended up in the Cemitério do Prado do Repouso when I heard someone running behind me. I turned around to see a woman in a hoodie, carrying nothing more than a wallet and cell phone, slowly jogging down the path. I stopped to let her ahead. She seemed hardly out of breath, like she was in no more than a tiny hurry to arrive somewhere. I kept walking.

I found the crematorium, where gray smoke was breezing up toward the sky, and I wondered who was inside and what the smoke had once been. As I turned away, I saw a black hearse approaching. It was glassy and glossy and flowers were exploding over an enormous coffin in the back. The woman in the hoodie was now walking beside, talking and laughing with three or four other people. They seemed impossibly relaxed. They smiled and waved at me as they passed, carrying nothing more than a few motorcycle helmets. The small group proceeded to the crematorium, where they unloaded the casket and carried it inside. They disappeared.

I have no idea if what I saw was “normal,” if Portuguese funerals are generally so casual. But I felt a pang of modest hope, watching them stroll forward. I imagined they were comfortable with mortality, that they would end the funeral and all go drink together at a sunny sidewalk café. I liked to think they’d drink a few messy toasts to the person whose body was becoming ashes, and then they’d continue with their lives. I liked to think it would be simple for them.

There were lots of other shimmery moments, images that in my recollection seem more magical and mysterious than reality. I saw cats climbing over flea market stalls toward abandoned beer glasses, an ancient bookstore filled with anxious tourists, and plain walls painted to life with Escher woodcuts. I saw sleepy men napping next to fiery peacocks at the edge of the miradouro; a photography museum nestled within in a drafty old prison. A setting sun, embarrassed in the pale ragged sky. A woman with a voice worn loud by decades of cigarettes, shouting to announce the sale of lottery tickets. Another woman, still, knowingly winking at me as I sat alone in a noisy and chaotic café. I saw warmth, and attention, and movement.

These impressions, soft and tattered, are worth more to me than any hard data about the trip. They are disparate pebbles, a mismatched set of chipped thoughts and stolen ideas polished smooth in my own head. They are a mess, but they are mine. And with them, I pave my path forward.

Looking west, Jardins do Palácio de Cristal

Portuguese Centre of Photography

II

The Rio Douro

Livreria Lello

Tracks of the Camino Portugués

O fim

Reflections On The Forty-Fifth Anniversary Of ‘Let’s Get It On’

It wasn’t until after the abuse that I really began to appreciate Marvin Gaye.

My first relationship was a two-year carousel ride of gaslighting, honeymooning, and coercion. He was the first boy I’d ever held hands with. I was fifteen, and terrified of my body. Ever since I’d transferred schools in seventh grade, rumors were rampant that I was a lesbian. The gossip started because I’d never dated anyone, and it escalated when I didn’t emphatically deny it. Dating him, I thought, made sense.

Together, we crossed off a lot of my “firsts”: first slow dance, first kiss, first sexual assault. What had first seemed like simple love slowly mutated into an impenetrable bond. Even now, I lack concise language to accurately describe our eventual relationship, except to say that it was complicated. (I struggle even with the adjective “abusive,” but that’s another conversation for another time.)

I don’t remember exactly when I first heard Let’s Get It On, but I estimate it was after our breakup, sometime in my late teens. In retrospect, the album seems to have melted into those adolescent memories, superimposing its rhythms onto my experiences. I do remember feeling an immediate comfort in the music. It was sexual, yes, but there was no threat in the songs. Instead, he sang about respect and spirituality. He sang about making peace with the fact of a human body.

I would later learn of the indescribable, lifelong abuse that Gaye endured from his father. I would learn about the violence that Gaye inflicted upon his second wife, Janis, who inspired him to write “If I Should Die Tonight.” I would learn how, one day before his forty-fifth birthday, Gaye’s father shot and killed him. I would learn how Gaye’s sister, Jeanne, contended that Gaye had wanted to die, that he “knew just what he was doing” when he picked a fight with his father. I would begin to question those easy ideas of physical harmony.

As with most narratives, my understanding of his grew simpler before it grew complicated.

When I listen to Let’s Get It On today, I listen through the filter of these stories. I hear radical respect, bodily autonomy; obsessive control. I hear these notions rubbing up against one another, sharing space despite their contradictions.

As a young adult, I’m beginning to comprehend just how tangled his music is, how a lyric like “I would never die blue / ‘cause I’ve known you” is both captivatingly tender and unsettlingly domineering. I think of the feelings in a first kiss, when your stomach is filled with the rush of optimism. I give myself a moment to sit with this, and then I think of the feelings that come later, when you’re constantly glancing back, hoping he’s not following you.

- "If I Should Die Tonight" from Marvin Gaye's Let's Get It On (1973)

Aún Camino

Three years ago today, my Grams would've been a century old. Also three years ago today, I finished hiking the Camino de Santiago. While I've been feeling especially mushy and reflective about this for the last month, today is strangely quiet. Anticlimactic. Life marches on, and while I'm still figuring out my spirituality (among other things), I know I've grown since the hike. I've become an adult, one I hope my grandma would've been proud of.

For all of it, I'm pretty darn grateful.

Pilgrims' Mass, Easter Sunday

A Feminist Take on Missouri Governor Eric Greitens' Indictment

Yesterday afternoon, Missouri Governor Eric Greitens was arrested for a felony charge of invasion of privacy. He'd been indicted by a grand jury in St. Louis—a jury of his constituents.

The charges came after news of Greitens' extramarital affair broke in January, just hours after his first State of the State address. KMOV-4, a CBS affiliate in St. Louis, released audio of an anonymous woman alleging she'd had an affair with the married governor before he was elected to office. In the recording, the woman also alleges that Greitens had bound her hands and blindfolded her. The account suggests that, while their encounter began consensually, the woman soon grew uncomfortable, after which he took a photo of her and threatened to distribute the image if news of the affair went public. The woman did not consent to being photographed.

While these claims are abhorrent and disappointing, an equally troubling piece of the puzzle has been overshadowed: how did this audio come to light?

Numerous outlets have acknowledged that the woman in the audio was not aware that she was being recorded. Her ex-husband created the recording, again without her consent. And though I don't believe that this act is as troubling as Greitens' alleged violation and blackmailing, it's still worth exploring. He claims that Greitens' threat of blackmail pushed him over the edge, so he responded to this alleged mistreatment by overtaking control of his wife's words and experiences.

The ex-husband subsequently released her testimony to the public. It's unclear whether she gave permission for him to release the tapes, but if I had to put money on it, I'd guess she had little to no control over how the story—her story—broke. And that's not to imply that Greitens' affair isn't Missouri's story as well. It is. But the core of this narrative has been snatched away from the very woman who experienced this abuse firsthand.

I don't know what motivated the ex-husband to release these tapes, whether it was politics, notoriety, or something else entirely. What I do know is that the woman in the audio has not stepped forward, has not identified herself, and has not had the opportunity to take control of her story without compromising her anonymity. To out herself is to forever be known as the stain that disgraced Greitens, and to lose a great deal of her own identity in the process.

In short: these revelations hinge on a single woman, one who's been exploited several times over by men to control a public power structure. So why is no one talking about that?

A Year Later

It's been a year, and I'm still not sure how to responsibly write about Inauguration Day, or the Women's March, or even the whole last year. I've tried, yes, but it always comes back to the same question: what do I genuinely have to offer to this discussion? And is that question itself even worth exploring publicly?

Maybe I'll figure that out soon. For now, I'll step aside and direct my listening toward groups like Higher Heights and INCITE!, each of whom are working hard to empower women of color and trans/non-binary folks. If you can relate to any of the above sentiments, consider learning more about the activism happening in and around your communities. And if you're aware of any orgs doing work important to you, shoot me an email. I'd love to hear more.

With that, I'm off my soapbox.

Thanks for reading.

Workers clean up debris from the vandalism performed by self-proclaimed "anarchists" near D.C.'s Franklin Square; Jan. 20, 2017

Blind Curse

On this modest break, I'll be stepping away from blogging to focus more time and energy on writing poems. I'm on a productive streak, and I will do whatever I can to keep it going. I'll check back in here when I've written the next Pushcart Prize-winning poem.

Today I also received my contributor copy of Kansas City Voices, Vol. 14. This issue contains a lot of impressive poems and artworks, and I'm honored to have one of my own poems published inside. If you like supporting artists and small presses, consider buying a copy for someone you like. If you hate artists and independent publishers, please buy a copy for someone you despise. The spite will really come through when the despised person opens his mailbox to your angry parcel.

As we push forward to comfortable and joyous family gatherings, I hope you'll appreciate this poem by Simon Ortiz.

Happy Thanksgiving.

"Blind Curse"

You could drive blind
for those two seconds
and they would be forever.
I think that as a diesel truck
passes us eight miles east of Mission.
Churning through the storm, heedless
of the hill sliding away.
There isn’t much use to curse but I do.
Words fly away, tumbling invisibly
toward the unseen point where
the prairie and sky meet.
The road is like that in those seconds,
nothing but the blind white side
of creation.  

                    You’re there somewhere,
a tiny struggling cell.
You just might be significant
but you might not be anything.
Forever is a space of split time
from which to recover after the mass passes.
My curse flies out there somewhere,
and then I send my prayer into the wake
of the diesel truck headed for Sioux Falls
one hundred and eighty miles through the storm.

- by Simon Ortiz, from After and Before the Lightning (1994)

If You Could

- "If You Could" by Twin Cabins, released in 2012

Mama Says

My sweet friend Alejandro showed me this act Ibeyi last week, and I'm sold. The group consists of twin sisters Lisa-Kaindé and Naomi Diaz. At 22 years old, they're a force to be reckoned with.

This song in particular was written for the sisters' father, Anga Díaz, who was a part of the Buena Vista Social Club.

- "Mama Says" by Ibeyi, from Ibeyi (2015)

Only the Lonely

- "Only the Lonely" by Roy Orbison, from Black and White Night (1988)

Heart Don't Stand A Chance

- "Heart Don't Stand A Chance" by Anderson .Paak, from Malibu (2016)

Human Racing

- "Human Racing" by St. Vincent, from Marry Me (2007), performed on NPR's Bryant Park Project (2009)

Celebration // Maybe I'll Come Down

Recently, I've been zooming left and right and down, but mostly up. A few days ago, I got word that one of my poems will be published by Linden Avenue Literary Journal in March—hooray! I'll be sure to self-promote when that issue comes out.

In all seriousness, Linden Ave is a wonderful publication. Because I'm honored for their support, I hope anyone reading this will take the time to check out their website or follow their Facebook and Twitter pages. They're great folks, and they publish a lot of gut-punch writing.

In the spirit of zooming, and of feeling elevated, here's a song by one of my favorite acts.

- "Maybe I'll Come Down" by Soul Coughing, from El Oso (1998)

Rock 'n' Roll Suicide

In middle school, my remarkable friend Molly shared with me her love of David Bowie. At that point, I don't think I was mature enough to appreciate the fierce enterprise of his music. I liked the hits, sure, but Ziggy Stardust was far beyond me. I just didn't get it.

Now that I'm a few years wiser, these songs hit me like a mace. The lyrics, the structures, the orchestration...every time I listen to David Bowie, I think of Mols. To me, those small-yet-persistent gifts are one of the marks of a meaningful friendship.

For this song, and for the perspective I needed to appreciate it, I am so grateful to Molly, and every other genuine friend I've met along the way.

And I'm grateful to you for reading this. Thank you, as always.

- "Rock 'n' Roll Suicide" by David Bowie, from The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)

Me, Too

I'm fucking angry.

Yes, I have been taken advantage of, harassed, and abused. This is the reality for almost all women (which is to say nothing of trans and non-binary individuals). I have been called names; I have been followed. I have been grabbed, and I have been insulted in the most demeaning ways. I have survived a long-term abusive relationship. I have been told by a respected colleague that he wanted to make me "as uncomfortable as possible." I have gone through workplace protocols of complaint. I have sat furiously in the aftermath, after my employer did nothing to protect me or discipline the individuals at fault. I have watched many of these abusers receive award and accolade. I have held my tongue.

This is the world we live in. I try hard not to be jaded, but today I'm allowing myself to sit with this anger, and to share it.

I logged onto Facebook this afternoon, and read a post about Brand New's Jesse Lacey. The musician was recently accused of misconduct involving an underaged child. These accusations are eerily similar to an experience I had around the age of sixteen.

Somehow, I began corresponding with a local man in his twenties. We'd never met, but we had friends in common. He knew how young I was, and yet we often exchanged sexually charged messages. I won't share it here, but I still vividly remember some of the language he used toward me.

Our exchanges never progressed beyond these messages. I remember once, after I finished taking the SAT, I opened my phone to a text-message invitation to his house. Over the course of a month or two, he invited me over numerous times. Even at sixteen, I knew something was wrong with those invitations. I never went. I felt uncomfortable, ashamed, and scared. I was just a kid, but I felt responsible.

Until now, I don't know that I've told a single person about this experience.

This individual is now an active member of my creative community. He is respected and well-liked, even by people whom I might consider friends of mine. I have shared a stage with him, and I have ignored his messages afterward. I have avoided events where I thought he would be present. The discomfort I feel around this person is far greater than any remorse I'd feel for missing out on a performance.

And I'm tired of feeling defeated. As I read the aforementioned Facebook post, I saw that this individual had left a comment to condemn the abuser. He argued for the execution of child abusers, demanding that they "be put to the firing squad." For a moment, I thought about calling out the hypocrisy of his post. Ultimately, I decided not to—I don't have the energy to search for those text messages and back up my claims; I don't have the energy to be questioned and avoided. I'd rather sit on my hands than face skepticism and exclusion for my experiences.

Honestly, I'm nervous to even publish this account, but writing this post was the best revenge I could have enacted. I feel just a little stronger for having voiced this story.

I am not alone in this, and neither are you. I'm still trying to figure out the significance and meaning behind all these experiences. If you're in the same boat and comfortable reaching out, I would love to hear from you. Shoot me an email, or send me an anonymous note. Let's talk about it, and let's hold each other up. We don't have to accept abuse as the status quo, even if we aren't all ready to share our stories and bare our scars. We can fight the messy fight for a more respectful world, and we can each contribute our own strengths to the battle.

It's going to take a long time, but we can do better.

Little Love #5: Toothpicks

Little Love Number Five: Toothpicks

I have the gross and sometimes-painful habit of picking at my skin. I can't remember exactly when it started, but I do remember accidentally drawing blood on my little finger when I was maybe six years old. Though it's probably not a very healthy practice, I've never been too worried about it: I'm not ingesting chemicals, and I'm not shaping my life around my finger-picking. Should I ever decide to become a serious guitarist, I'll already have killer calluses to back it up.

In the numerous times I've tried to quit this habit, though, I've noticed one consistent crutch: toothpicks. Having a toothpick to fiddle with means that I don't have to torture my fingers raw. Instead, I can focus all my nervous energy into chewing on a tiny piece of wood, all the while improving my periodontal health. In college—an especially nervous period—toothpicks helped me bite my way through countless classes and essays. In fact, I think my best piece of academic prose was born between several mangled toothpicks in a Panera in Cambridge.

Until I manage to swallow a splinter (à la Sherwood Anderson), it's not a bad trade-off.